Bibliography
Agawu, Kofi, Representing African Music: Postcolonial Notes, Queries, Positions, Routledge, Nueva York, 2003
Akyeampong, Emmanuel, “Africans in the Diaspora: The Diaspora and Africa”, African Affairs, Vol. 99, 2000, 183-215.
Berrian, Brenda F., Awakening Spaces: French Caribbean Popular Songs, Music, and Culture, The University of Chicago press, Chicago, 2000.
Bilby, Kenneth, “Africa’s Creole Drum: The Gumbe as Vector and Signifier of Trans-African Creolization”, in Baron, Robert & Cara, Ana C. (Eds.), Creolization as Cultural Creativity Creativity, University Press of Mississippi, 2011, pp. 137-177.
Bolster, Jeffrey W., Black Jacks: African American Seamen in the age of sail, Cambridge, Massachusetts, Harvard University Press, 1997
Cobley, Alan G., “Migration and remigration between the Caribbean and Africa”, in Cobley, Alan G. y Thompson, Alvin (eds.), The African-Caribbean Connection: historical and cultural perspective, Bridgetown, Natural Cultural Foundation, 1990, pp. 49-68.
Collins, John E., “Musical Feedback: African America’s Music in Africa”, A Journal of Opinion, vol. 24, no. 2, African [Diaspora] Studies, 1996, pp. 26-27.
Cooper, Frederick, “What is the Concept of Globalization Good for? An African Historian’s Perspective”, African Affairs, Vol. 100, 2001, 189-213
Emielu, Austin, “Some Theoretical Perspectives on African Popular Music”, Popular Music, Vol. 30, Issue 03, 2011, pp. 371-388.
Martín-Casares, Aurelia & Barranco, Marga G., “The Musical Legacy of Black Africans in Spain: A Review of Our Sources”, Anthropological Notebooks, Vol. 15, Num. 2, 2009, pp. 51-60
Matory, J. Lorand, “Afro-Atlantic Culture: On the Live Dialogue between Africa and the Americas”, en Appiah, Kwame A. & Gates, Henry LL. Jr. (eds), Africana: The Encyclopedia of the African and African American Experience, Basic Civitas Books, New York, 1999, pp. 36-44
Njemanze, Paul Obiyo Mbanaso & Njemanze, Paul Obiyo, “Pan-Africanism: Africa in the Minds and Deeds of Her Children in the Caribbean”, Journal of the Historical Society of Nigeria, Vol. 20, 2011, pp. 152-165.
Yelvington, Kevin A., “The invention of Africa in Latin America and the Caribbean: Political discourse and Anthropological Praxis, 1920-1940”, in Yelvington, Kevin A. (ed.), Afro-Atlantic Dialogues: Anthropology in the Diaspora, School of American Research Press, Santa Fe, 2006, pp. 35-82.
Patrick Manning. 2009 The African Diaspora: A History through Culture New York: Columbia University Press,
Kofi Agawu, “The Invention of ‘African Rhythm,’” Journal of the American Musicological Society 48, no. 3 (Autumn 1995): 380–95.
Lara Putnam, Radical Moves: Caribbean Migrants and the Politics of Race in the Jazz Age (University of North Carolina Press, 2013), Chapters 1, “Migrants’ Routes, Ties, and Role in Empire, 1850s-1920s” and 5: “Cosmopolitan Music and Race-Conscious Moves in a ‘World a Jazz,’ 1910-1930s,” 153-95.
Carol Hess, “Walt Disney’s Saludos Amigos: Hollywood and the Propaganda of Authenticity,” in Josh Kun, ed., The Tide Was Always High: The Music of Latin America in Los Angeles (Oakland: University of California Press, 2017).
Richard M. Shain, “Trovador of the Black Atlantic: Laba Sosseh and the Africanizationo f Afro-Cuban Music,” in Music and Globalization: Critical Encounters (Bloomington: Indiana University Press, 2012).
Ariana Hernández-Reguant, “World Music Producers and the Cuban Frontier,” in Music and Globalization: Critical Encounters (Bloomington: Indiana UP, 2011), 111–134.
Laurent Dubois, The banjo: America’s African instrument (Cambridge (Mass.): Harvard. University Press, 2016), Chapter 2, “The First African Instrument.”
Daynes, Sarah. 2010. Time and Memory in Reggae Music: The Politics of Hope. Manchester: Manchester University Press. Accessed November 4, 2019. ProQuest Ebook Central.
Andrews, George Reid. 2007. “Remembering Africa, Inventing Uruguay: Sociedades de Negros in the Montevideo Carnival, 1865-1930.” Hispanic American Historical Review 87 (4): 693–726. doi:10.1215/00182168-2007-040.
Pardue, Derek. 2008. Ideologies of marginality in Brazilian hip hop. New York: Palgrave Macmillan. Chapter 2
hy

You may also like

Back to Top